Rain date for this event is May 12.

The Rhythm Method brings the music of historical female composers into the public eye through research, performance, and recording. While many of the composers featured on this program achieved an impressive degree of public recognition in their lifetime, their music has often been belittled or ignored by music historians, music programmers, and musicians. This suppression of yesterday’s female voices has a direct impact on our idea of who gets to be a composer today, and contributes to the dearth of female composers, living or deceased, represented in classical and contemporary repertory. The hope of this project is that by giving these historical female composers their due, we can empower young female artists, as well as non-binary artists, artists of color, and artists from other marginalized groups, to continue to create and share their work with the world and to stand up to the biases which remain entrenched in so many of our cultural institutions. 

Elizabeth Maconchy String Quartet no. 3 (1938)
Florence Price String Quartet in G (1929)
Leah Asher Shoulder to Shoulder (2018)
Amanda Maier-Rontgen String Quartet in A Major (1880)

Tickets at link below